I recently discovered Amy Sue Nathan, an author of Women’s Fiction, whose debut novel THE GLASS WIVES will be released on May 14th (that’s tomorrow). I’m relatively new to Women’s Fiction, so when I visited the author’s page (Women’s Fiction Writers), her blog’s tagline sparked my curiosity: “NO HEROES.” I was intrigued but also bewildered. And so I got in touch with the author and asked:
What’s the significance in the absence of a hero?
She sent me a great response. I asked for her permission to share it on my blog, so here it is:
Writing women’s fiction, or book club fiction, to me, means it’s about a strong woman who doesn’t need to be saved by a man, which is traditional in romance novels. In the books I write and like to read, there might be love and a bit of a romantic connection, but it is not central to the story. The protagonist’s goal is to be okay (whatever that means to her) but not to be in a romance. To me, hero=someone who saves a woman. In my books, the main character saves herself! I don’t use the word heroine either, but that’s completely a personal preference. Certainly there are many ways to interpret a hero. There are everyday heroes we see on the news. There are heroes fighting for our freedom overseas. But in terms of fiction, a hero is usually the male character who is the romantic interest of the female main character. It’s very popular, many people read it and write it, it’s just not my forte or interest.
I plan to pick up a copy of THE GLASS WIVES and some other books within this genre (I’m ALWAYS up for book recommendations!). As a matter of fact, I really don’t remember the last time I read a Women’s Fiction… Anyway, as I explore this genre, I want to get a better grasp of how writers of this genre:
- Portray STRONG WOMEN
- What it means to different writers when a woman doesn’t need to be SAVED by a man. And also, if there are Women’s Fiction writers that do create a woman-saved-by-a-man dynamic, then how the author is able to steer away from perpetuating the damsel-in-distress concept.
- How men are portrayed within this genre and how much/or how little room they take up in these books
On a random note, I don’t think the TRC rewrite will fit into the Women’s Fiction genre… But we’ll see. I need a better grasp of this genre before making any further conclusions.